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"Voice therapy" or "voice training" refers to any non-surgical technique used to improve or modify the human voice. [1] [2] Because voice is a social cue to a person's sex and gender, [3] transgender people may frequently undertake voice training or therapy as a part of gender transitioning in order to make their voices sound more typical of their gender, and therefore increase their ...
Puberphonia is a functional voice disorder [citation needed]. To rule out problems in the structure of the larynx as the cause of their voice issues, patients are often referred to otorhinolaryngologists for a physical examination of the larynx and vocal folds. Once physical pathologies are ruled out, a behavioural evaluation can occur. [6]
A voice change or voice mutation, sometimes referred to as a voice break or voice crack, commonly refers to the deepening of the voice of men as they reach puberty.Before puberty both sexes have roughly similar vocal pitches, but during puberty the male voice typically deepens an octave, while the female voice usually deepens only by a few tones.
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Clinical Voice Therapy: Dinah Harris, contributor to The Voice Clinic Handbook, recommends learning Estill Voice Training as it provides many useful tools for those working in a voice clinic. [83] Rattenbury, Carding and Finn present a study that used a range of Figures for Voice exercises as prognostic indicators and voice therapy treatment ...
Dihydrotestosterone (DHT, 5α-dihydrotestosterone, 5α-DHT, androstanolone or stanolone) is an endogenous androgen sex steroid and hormone primarily involved in the growth and repair of the prostate and the penis, as well as the production of sebum and body hair composition.
Reba McEntire may have handed out The Voice’s trophy in Monday’s episode (recapped here), but the battle hasn’t even begun, much less the war. On Night 4 of the Blind Auditions, Snoop Dogg ...
The retained voice can be the treble voice shared by both sexes in childhood and is the same as a boy soprano voice. But as evidence shows, many castrati, such as Senesino and Caffarelli, were actually altos (mezzo-soprano) – not sopranos.