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Two-inch port tube installed in the top of a Polk S10 speaker cabinet as part of a DIY audio project. This port is flared. Unlike closed-box loudspeakers, which are nearly airtight, a bass reflex system has an opening called a port or vent cut into the cabinet, generally consisting of a pipe or duct (typically circular or rectangular cross section).
The design is often described as non-resonant, and some designs are sufficiently stuffed with absorbent material that there is indeed not much output from the line's port. But it is the inherent resonance (typically at 1/4 wavelength) that can enhance the bass response in this type of enclosure, albeit with less absorbent stuffing.
The birth of the modern transmission line speaker design came about in 1965 with the publication of A.R. Bailey's article in Wireless World, “A Non-resonant Loudspeaker Enclosure Design”, [16] detailing a working Transmission Line. Bailey followed up his first article with a second one in 1972. [18]
Moving iron speaker. The original loudspeaker design was the moving iron. Unlike the newer dynamic (moving coil) design, a moving-iron speaker uses a stationary coil to vibrate a magnetized piece of metal (called the iron, reed, or armature). The metal is either attached to the diaphragm or is the diaphragm itself.
Examples of transmission line (TL) related technologies include the (mostly obsolete) speaking tube, which transmitted sound to a different location with minimal loss and distortion, wind instruments such as the pipe organ, woodwind and brass which can be modeled in part as transmission lines (although their design also involves generating ...
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A late 19th-century speaking trumpet used by firefighters A small sports megaphone for cheering at sporting events, next to a 3 in (8 cm) cigarette lighter for scale. From the Ancient Greek era to the nineteenth century, before the invention of electric loudspeakers and amplifiers, megaphone cones were used by people speaking to a large audience, to make their voice project more to a large ...
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