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The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 (Czech: Symfonie č. 9 e moll "Z nového světa"), also known as the New World Symphony, was composed by Antonín Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895.
Dvořák composed his fourth symphony between January and March 1874. It shows an influence of Wagner in its themes' development, and even in its thematic material, i.e. principal theme of the second movement is a near-quotation from Tannhäuser, and the Trio section of the third movement includes a vivid reminder of a passage from the overture of Die Meistersinger von Nürnberg.
His most famous pieces of music include the Ninth Symphony (From the New World), the Cello Concerto, the American String Quartet, the Slavonic Dances, and the opera Rusalka. This article constitutes a list of Dvořák's known works organized by their genre. They are in chronological order, referenced by Burghauser number.
The South Bend Symphony Orchestra performs its final Masterworks concert of the season May 4. The concert is titled "Dvořák’s New World."
In 1892, Dvořák became the director of the National Conservatory of Music of America in New York City. While in the United States, Dvořák wrote his two most successful orchestral works: the Symphony From the New World, which spread his reputation worldwide, [4] and his Cello Concerto, one of the most highly regarded of all cello concerti.
Symphony No. 9 in E minor "From the New World" orchestra 179: 96: 1893: Smyčcový kvartet č. 12 F dur „Americký“ String Quartet No. 12 in F major "American" 2 violins, viola and cello: 180: 97: 1893: Smyčcový kvintet č. 3 Es dur „Americký“ String Quintet No. 3 in E ♭ major "American" 2 violins, 2 violas and cello: 181: 94: 1893
File:Antonin Dvorak - symphony no. 9 in e minor 'from the new world', op. 95 - iii. molto vivace.ogg. Add languages. Page contents not supported in other languages.
Theme of the second movement Second movement, theme. The theme of the second movement (see above) is the one that interpreters have most tried to associate with a Negro spiritual or with an American Indian tune. [19] The simple melody, with the pulsing accompaniment in second violin and viola, does indeed recall spirituals or Indian ritual music.
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