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Rebab (Arabic: ربابة, rabāba, variously spelled rebap, rubob, rebeb, rababa, rabeba, robab, rubab, rebob, etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. [1]
This instrument is derived from the Arabic cultural elements. but according to the saga of local stories, musical instruments Kompang entrance on the ground wither exactly selangor brought by the great scholar of the family entourage of the Pondok Tegalsari in Ponorogo, the island of Java, which is the forerunner of Pondok Modern Darussalam ...
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
The rebab, a two-stringed fiddle, is the melodic leader of the ensemble. The rebab player signals changes between sections of a piece, and to a new piece. The gendér is a tube-resonated metallophone with fourteen keys suspended by string above metal tubes. The gendér plays improvisatory patterns called cengkok which link one seleh note to the ...
The instrument and its variants spread throughout West, Central, South and Southeast Asia. [4] The Kabuli rebab from Afghanistan [1] derives its name from the Arabic rebab and is played with a bow while in Central Asia and the Indian subcontinent, the instrument is plucked and is distinctly different in construction. [3]
Celempungan is a Sundanese musical genre that includes several musical instruments such as kacapi, kendang, goong/gong, and suling or rebab (optional), and Juru Kawih (singer). Kendang, the drum, controls the tempo of the ensemble and reinforces the meter.
The suling gambuh play melodies along with a rebab while percussion instruments fill out the sound with a variety of timbres and rhythms: a medium-sized gong, a small gong called kajar, two kendang, a chime called klenang, a bell tree called gentorag, rincik (reminiscent of a ceng-ceng), a metallophone called kenyir, kangsi, and gumanak.
The orchestra of the dance consists of eleven types of gedombak asyik (a small drum), gambang (a xylophone-like instrument, usually made of slabs of wood or bronze), and a rebab (a bowed lute). [2] Although it begins as a court dance, over time, the dance became popular among common people and used as folk entertainment during festivals and ...