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Philosophy and literature involves the literary treatment of philosophers and philosophical themes (the literature of philosophy), and the philosophical treatment of issues raised by literature (the philosophy of literature). The philosophy of literature, a subset of aesthetics, examines the nature of art and the significance of verbal arts ...
A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem to be lonely. It may differ from the thesis—the text's or author's implied worldview. [4] [example needed]
The implied author is a concept of literary criticism developed in the 20th century. Distinct from the author and the narrator , the term refers to the "authorial character" that a reader infers from a text based on the way a literary work is written.
Through textual hints (described customs, clothing, etc.) literary space can refer to more general knowledge of the implied reader of the empirical reality. The aim of this measure is to make possible the association of the fictional world with the experiential one not calling it as if ''by name”.
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);
In literary theory and aesthetics, authorial intent refers to an author's intent as it is encoded in their work. Authorial intentionalism is the hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. [1]
Philosophical fiction is any fiction that devotes a significant portion of its content to the sort of questions addressed by philosophy.It might explore any facet of the human condition, including the function and role of society, the nature and motivation of human acts, the purpose of life, ethics or morals, the role of art in human lives, the role of experience or reason in the development ...
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [1] Philosophy, politics, architecture, and social issues were all aspects of this movement.