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Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The second Versailles version (267 × 230 cm; 105 × 90 1 ⁄ 2 in) shows a black and white horse with complete tack but lacking the martingale. The girth is red. The cloak is orange-red, the collar is black, and the embroidery of the gauntlet is very simple and almost unnoticeable. The scarf tied around Napoleon's waist is light blue.
Two studies for The Horse Fair, both held by the Metropolitan Museum of Art Abandoned sketch of the Horse Market, charcoal, black chalk and white chalk on canvas, 250 x 450 cm The 1855 reduced version, 120 cm × 254.6 cm (47.2 in × 100.2 in), in the National Gallery , London
The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps; Boulevard ...
The name baucent (also spelled bausent, bauceant, baussant, beausseant, beauséant etc. [3]) in origin is the Old French term for a piebald horse. [4] The name was later approximated to the French bien-séant, meaning "decorous, becoming". The name was also used as a battle cry by the Templars, À moi, beau sire ! Beauséant à la rescousse !
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