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It is used to visualize and test shapes and ideas without incurring the cost and effort of producing a full-scale sculpture. It is the analogue of the painter 's cartoon or sketch . For commissioned sculptures, especially monumental public sculptures, a maquette may be used to show the client how the finished work will fit in the proposed site.
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A procedure for preparing clay or a clay body by hand: the lump of clay is repeatedly thrown down on a work bench; between each operation the lump is turned and sometimes cut through and rejoined in a different orientation. The object is to disperse the water more uniformly, to remove lamination and to remove air. Whiteware
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process. [4]
Pages in category "History of sculpture" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Allegorical sculpture;
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Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.