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Quatravox was the name of Realistic's synthesized four-channel output version of quadraphonic sound, which used Hafler circuitry to reproduce ambient sounds recorded by the microphones 180° out-of-phase with the intended recording (sounds recorded from opposite the microphone from the performers, i.e., studio echo, audience noise, etc.) and ...
The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
Phase 4 Stereo was a recording process created by the U.K. Decca Records label in 1961. [1] The process was used on U.K. Decca recordings and also those of its American subsidiary London Records during the 1960s. Phase 4 Stereo recordings were created with an innovative 10-channel, and later 20-channel, "recording console". [2]
A four channel quadraphonic diagram showing the usual placement of speakers around the listener. Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio [1] [formed by analogy with "stereo"]) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space.
3 front channels + 2 rear channels + 3 channels reproduced in the rear in total + 1 LFE channel = 3/2:3.1 The term stereo, although popularised in reference to two channel audio, historically also referred to surround sound, as it strictly means "solid" (three-dimensional) sound. However this is no longer common usage and "stereo sound" almost ...
Sound & Vision was an American magazine, purchased by AVTech Media Ltd. (UK) in March 2018, covering home theater, audio, video and multimedia consumer products. Before 2000, it had been published for most of its history as Stereo Review.
A problem occurs with the sounds placed in the center rear. The point directly behind the listener is out of phase in stereo playback, causing it to disappear in one-channel mono listening. The left-rear and right-rear points are 3 dB lower in two-channel stereo listening, and 6 dB lower in mono listening. [11]
Year Name Number of films 2002: 12-Track Digital Sound: 40 2015: 2-Track Digital Sound ()586 1953: 3 Channel Stereo: 51 1953: 4-Track Stereo (CinemaScope)586 1955: 6-Track Stereo (Todd-AO and compatibles)
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