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Aperture cards created from 35mm roll film mounted on to blank cards have to be treated with great care. Bending the card can cause the film to detach and excessive pressure to a stack of cards can cause the mounting glue to ooze creating clumps of cards which will feed through duplicators and other machinery either poorly or not at all.
Fujicolor Superia is a Fujifilm brand of daylight balanced colour negative film introduced ca.1998 primarily aimed at the consumer market, but was also sold in a professional 'press' variant. A key feature at launch was the '4th' cyan colour layer designed to provide improved colour reproduction under fluorescent lighting.
Each roll of 35 mm film came with its own small packet of processing chemistry. After exposure, the film and its packet were loaded into a small hand-cranked machine called an "AutoProcessor". [10] [11] The time it required to produce a fully developed film ready for mounting varied from between two and five minutes, depending on the type of film.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
Print: Professional color film, 'Natural Color' for subtle color and natural skin tones in low light or with flash. US: 135, 120, 220, Sheet film: Portra 400 Kodak: Portra 400VC: 1998–2010: T: 400: C-41: Print: Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast to add snap to flat/overcast light. US: 135 ...
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. [2] It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.
Print: Creative color film with added tone to give candy colors [39] Austria: 135-36 dubblefilm: Jelly: 2018-T: 200: C-41: Print: Creative color film with green, blue and orange hues top to bottom of frame [40] Austria: 135-36 dubblefilm: Pacific: 2018-T: 200: C-41: Print: Creative color film with added tone to give deep colors inspired by the ...
It incorporated an original print of a film with sections cut by pantograph in the appropriate areas for up to six colors [3] by a coloring machine with dye-soaked, velvet rollers. [5] After a stencil had been made for the whole film, it was placed into contact with the print to be colored and run at high speed (60 feet per minute) through the ...
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