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Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture ...
A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies. It was a transitional style between ...
There was a revival of popularity for chinoiserie in Europe and the United States from the mid-19th century through the 1920s, and today in elite interior design and fashion. Sir William Chambers' Great Pagoda at the Royal Botanic Gardens at Kew, London. Though usually understood as a European style, chinoiserie was a global phenomenon.
Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk - bookcase pieces." [2] Other elements characterizing the style include pad feet and "an emphasis on line and form ...
In kilim flatwoven carpets, motifs such as the hands-on-hips elibelinde are woven in to the design to express the hopes and concerns of the weavers: the elibelinde symbolises the female principle and fertility, including the desire for children. [3] Pennsylvania Dutch hex signs are a familiar type of motif in the eastern portions of the United ...
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William Morris wallpaper designs. The British literary figure and designer William Morris (1834-1896), a founder of the British Arts and Crafts Movement, was especially known for his wallpaper designs. These were created for the firm he founded with his partners in 1861, Morris, Marshall, Faulkner and Company, and later for Morris and Company.
Korean traditional patterns. The longing for a realistic desire or association with the world through a specific object is the principle of charm for Korean patterns. Traditional patterns can be seen as incantation prints depending on whether a wish is realistic for an ideal life. As a result, traditional Korean patterns are seen as visual art ...
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