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  2. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    List of chord progressions. The following is a list of commonly used chord progressions in music . Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...

  4. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), is a common chord progression within ...

  5. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    The ii–V–I progression is "a staple of virtually every type of [Western] popular music", including jazz, R&B, pop, rock, and country. [1] Examples include " Honeysuckle Rose " (1928), which, "features several bars in which the harmony goes back and forth between the II and V chords before finally resolving on the I chord," [1] " Satin Doll ...

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    www.aol.com/finance/gen-zers-disillusioned...

    In Q4 2023, 42% of Gen Zers admitted a willingness to engage in first-party fraud, where they dispute a purchase with their payment provider despite the purchase being legitimate. This was ...

  7. Backdoor progression - Wikipedia

    en.wikipedia.org/wiki/Backdoor_progression

    In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker. This name derives from an assumption that the normal progression to the tonic, the ii-V-I turnaround (ii-V 7 to I ...

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