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"15 Step" features syncopated drumming and a "smooth" guitar line. [5] [6] The song is written in 54 time, [7] with a "stuttering" pattern played on a drum machine. [8] [9] "15 Step" begins with a 40-second "mulched-up" drum introduction reminiscent of songs on Kid A, [6] before a "blissful" guitar line and a bass line reminiscent of "Airbag" on OK Computer enter.
Richard Thomas Marotta (born January 7, 1948) is an American drummer and percussionist. He has appeared on recordings by leading artists such as Aretha Franklin, Carly Simon, Steely Dan, James Taylor, Paul Simon, John Lennon, Hall & Oates, Stevie Nicks, Wynonna, Roy Orbison, Todd Rundgren, Roberta Flack, Peter Frampton, Quincy Jones, Jackson Browne, Al Kooper, Waylon Jennings, Randy Newman ...
A crash course and loving testament to The Mars Volta as they ready their first album in a decade. A Beginner’s Guide to The Mars Volta in 10 Songs Jordan Blum
Keith Carlock (born November 29, 1971) is an American musician who has played drums with Toto, Wayne Krantz, Steely Dan, James Taylor, Donald Fagen, Walter Becker, Tal Wilkenfeld, John Mayer, Sting, Chris Botti, and Christopher Cross. In Modern Drummer's 2009 Readers Poll, he was
Due to a typographical error, the title of the song was mislabeled as "Dance to the Drummer Beat" on both the Audio Latino and Electric Cat releases. Additionally, the track has appeared on various compilation releases including the heavily sampled breakbeat album entitled Ultimate Breaks and Beats popular among deejays and hip-hop artists.
Rudimental are a British drum and bass band, signed to Asylum Records, Atlantic Records and Black Butter Records. The band consists of Piers Aggett, Kesi Dryden and Leon "Locksmith" Rolle. They were nominated for a Mercury Prize [1] in 2013, and won several awards including the Brit Award, and the MOBO Award for Best Album. [2]
In 2009, it was named the 38th best hard rock song of all time by VH1. [15] DRUM! called it an "early blisteringly fast song", describing Taylor's performance as "straight-up punk-rock drumming. [...] In essence, Taylor's groove is a double-stroke roll split between his bass drum and snare drum with some cool accents played on his crash cymbals.