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Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Early Snow on the River (Traditional Chinese: 江行初雪圖, Pinyin: Jiāng xíng chūxuě tú) is a Chinese landscape painting created by artist Zhao Gan (趙幹) created in the 10th century, during the Five Dynasties and Ten Kingdoms period.
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
The Lingnan School (Chinese: 嶺南畫派) of painting, also called the Cantonese School, is a style of painting from the Guangdong or Lingnan region of China. [1]This school reflects a style of painting founded in the 19th century in Guangdong province by Two Gaos and one Chen - Gao Jianfu, Gao Qifeng and Chen Shuren, also known as "The three greats of Lingnan" (嶺南三傑).
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The Southern School (Chinese: 南宗画; pinyin: nán zōng huà) of Chinese painting, often called "literati painting" (文人画; wén rén huà), is a term used to denote art and artists which stand in opposition to the formal Northern School (北宗画; běi zōng huà) of painting. The distinction is not geographic, but relates to the ...
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