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The modern Egyptian belly dance style and the modern belly dance costumes of the 19th century were featured by the Awalim. [32] For example, many of the dancers in Badia's Casinos went on to appear in Egyptian films and had a great influence on the development of the Egyptian style and became famous, like Samia Gamal and Taheyya Kariokka , both ...
In Egyptian belly dancing clubs (Egyptian Arabic: Kabareeh), the term badlah refers simply to the costume that a dancer wears. Most commonly it is used to refer to the matched set of bra and belt that cabaret dancers use, but technically it encompasses all parts of the dancer's costume as well, such as the jewelry, headband, skirt, pants and veil.
Raqs sharqi (Arabic: رقص شرقي, Egyptian Arabic: [ˈɾɑʔsˤ ˈʃæɾʔi]; literally "oriental dancing") is the classical Egyptian style of belly dance that developed during the first half of the 20th century.
Many people liked the dancing of the Ghawazi, but felt it was improper because of its being danced by women who should not expose themselves in this manner. Because of this, there was a small number of young male performers called Khawals. The Khawals were Egyptian male traditional dancers who impersonated the women of the Ghawazi and their dance.
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"If there's a belly dancer on stage, don't try to dance with her because it's distracting. If you're at the opera, you would never go on stage to dance with the artist." – Amie Sultan [18] Sultan objects to the term belly dance, as the term is a foreign term (from the French danse du ventre), [14] and prefers to speak of "Egyptian dance". [14]
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