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Santa Clara Puebloans making pottery in 1916. The modern period of pueblo pottery began in about 1900, after a stale period in the 1800s, caused by loss of Indigenous land to non-indigenous settlers, and the trend within government-run boarding schools to condition Native peoples to be more like whites and to abandon their traditional ways ...
The tradition of Picuris Pueblo pottery dates back to the 1600s. [1] It is made with locally mined mica-rich clay, giving the pieces a glittery sheen. [2] [3] The pieces are fired at a low temperature, making the resulting pottery particularly durable and well adapted for baking and cooking use.
Dillingham was a scholar of Native American pottery who published widely and authored three books on Pueblo ceramics, Acoma and Laguna Pottery, Seven Families in Pueblo Pottery, and Fourteen Families in Pueblo Pottery. [5] [9] He developed many personal relationships with Pueblo artists during his lifetime. [10]
Linda Sisneros and Merton Sisneros are Native American potters from Santa Clara Pueblo, New Mexico, United States. Both Linda and Merton, a married couple, have a long heritage of pottery in their families. Together they carry on these family traditions, and include on their pottery a triangle mark to symbolize three generations of potting.
Chapman wrote the chapter "Indian Pottery" for the book Introduction to American Indian Art (1931). [8] [10] He published Nazareth about Biblical history and before his death had been completing work on Pottery of San Ildefonso Pueblo and his memoirs. [7] His Capture of Santa Fe work was printed on the three cent stamp in 1946. [11]
Together with Juanita Toledo, another Pecos descendant and potter, Vigil helped rediscover and revive the Pecos Pueblo style of glazeware pottery. [2]For much of the 1970s and 1980s, Vigil and Toledo joined rangers and volunteers at Pecos National Historic Park studying materials and techniques used by the Pecos people in order to recreate historic Pecos Pueblo-style pottery. [3]
Hilda Coriz (née Hilda Tenorio; 1949–2007) was a sister of award-winning potter Robert Tenorio, and began making pottery with the encouragement of her brother.. Arthur Coriz (1948–1998) started to learn about pottery in 1975, after watching his wife Hilda and her brother Robert.
Laurencita R. Herrera (1912–1984) was a renowned Native American Cochiti Pueblo artist, specializing in traditional Cochiti figurative pottery called storytellers and her pottery vessels. [1] She is of the Herrera family, a renowned family of Pueblo potters in New Mexico, whose work is often found in art collections and art museums. [2]
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