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(a free translation of the opening line based on the translation by Karl Wolfskehl [37]). One of the most unusual settings is by the German composer Helmut Lachenmann in his Consolation II (1968), in which component phonetic parts of the words of the prayer are vocalised separately by the 16 solo voices in a texture of vocal 'musique concrète'.
Howells's Collegium Regale evening canticles are among his best-known works and noted for their use of choral voices. While many Anglican settings of the Magnificat begin with full choir or male voices, Howells opens the work with mezzo-piano treble voices, emphasising the feminine voice of Mary's song.
Cultural appropriation is a welcome characteristic in Jewish culture and is commonly used in the 'Blue Book'. Two examples are: Va’anachnu is arranged to no. 19 – “Open the Heavens…” from the oratorio Elijah; and Hodo Al Eretz which is based on Hear my Prayer/O for the wings of a Dove (Psalm 55) by Felix Mendelssohn. DMD chose to ...
The English Missal (sometimes referred to as the Knott Missal) is a translation of the Roman Missal used by some Anglo-Catholic parish churches. After its publication by W. Knott & Son Limited in 1912, The English Missal was rapidly endorsed by the growing Ritualist movement of Anglo-Catholic clergy, who viewed the liturgies of the Book of Common Prayer as insufficient expressions of fully ...
Voices from Chernobyl: The Oral History of a Nuclear Disaster (Russian: Чернобыльская молитва, romanized: Chernobylskaya molitva, lit. 'Chernobyl Prayer'), published as Chernobyl Prayer: A Chronicle of the Future in the United Kingdom, is a book about the Chernobyl disaster by the Belarusian Nobel Laureate Svetlana Alexievich .
Evening Hymn, "Te lucis ante terminum" ("Thee, Lord, before the close of day"), [1] is an anthem composed by Henry Balfour Gardiner, a setting of the Latin compline hymn "Te lucis ante terminum" for four voices and organ, in both English and Latin.
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The music is in one movement, and takes about three minutes to perform. [3] It is in C major, in 2 4 time, and marked "Lively". [1] The work begins with the soprano and tenor voices taking turns with the alto and bass voices in singing alternate phrases, while other words are sung by all four voices together.
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