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Loss of edge clarity and tone "fuzziness" in heavy JPEG compression. A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within ...
t. e. Audio-to-video synchronization (AV synchronization, also known as lip sync, or by the lack of it: lip-sync error, lip flap) refers to the relative timing of audio (sound) and video (image) parts during creation, post-production (mixing), transmission, reception and play-back processing. AV synchronization can be an issue in television ...
Dynamic range compression. This article is about a process that intentionally reduces the dynamic range of audio signals. For similar reductions caused by circuit imperfections, see Gain compression. For processes that reduce the size of digital audio files, see Audio compression (data). A rack of audio compressors in a recording studio.
Audio editing software can be implemented completely or partly as a library, as a computer application, as a web application, or as a loadable kernel module. Wave editors are digital audio editors. There are many sources of software available to perform this function. Most can edit music, apply effects and filters, and adjust stereo channels.
U-matic or 3⁄4-inch Type E Helical Scan[1][2] or SMPTE E[3] is an analogue recording videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats ...
Lossless compression is a class of data compression that allows the original data to be perfectly reconstructed from the compressed data with no loss of information. Lossless compression is possible because most real-world data exhibits statistical redundancy. [1] By contrast, lossy compression permits reconstruction only of an approximation of ...
Sample-rate conversion, sampling-frequency conversion or resampling is the process of changing the sampling rate or sampling frequency of a discrete signal to obtain a new discrete representation of the underlying continuous signal. [1] Application areas include image scaling [2] and audio/visual systems, where different sampling rates may be ...
Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO / IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Blind tests in the late 1990s showed that AAC demonstrated greater sound quality and transparency than MP3 for files coded at the same bit rate.