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The inherent lack of realism in African masks (and African art in general) is justified by the fact that most African cultures clearly distinguish the essence of a subject from its looks, the former, rather than the latter, being the actual subject of artistic representation.
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history
Les Demoiselles d'Avignon.The two figures on the right are the beginnings of Picasso's African period.. Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian ...
African Art Museum of the SMA Fathers at Tenafly, New Jersey: The Legend of Chi Wara. www.masksoftheworld.com: Chi Wara mask images. Library of the University of Virginia: Africa Masks exhibit. Includes images and description of one male and one female mask. Humboldt State University: gallery of Chi Wara and other Bambara dancers.
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Mask for King Obalufon II; c. 1300 CE; copper; height: 29.2 cm; discovered at Ife; Ife Museum of Antiquities (Ife, Nigeria) The Yoruba of West Africa (Benin, Nigeria and Togo) are responsible for a distinct artistic tradition in Africa, a tradition that remains vital and influential today. [1]