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Foamcore, foam board, or paper-faced foam board is a lightweight and easily cut material used for mounting of photographic prints, as backing for picture framing, for making scale models, and in painting. It consists of a board of polystyrene foam clad with an outer facing of paper on either side, typically white clay-coated paper or brown ...
The lower parts of the walls of the 16th century dining hall of St John's College, Cambridge are covered with wood panelling in a linenfold design. An English oak chest with complex linenfold panels. Linenfold (or linen fold ) is a simple style of relief carving used to decorate wood panelling with a design "imitating window tracery", [ 1 ...
Casing: Finish trim around the sides of a door or window opening covering the gap between finished wall and the jam or frame it is attached to. Cartouche (in French) escutcheon : Framed panel in the form of a scroll with an inscribed centre, or surrounded by compound mouldings decorated with floral motifs
Panel paintings consist of a wood support, a ground (linen or parchment sized with glues, resin, and gesso), and an image layer (encaustic, tempera, oil). [1] They are typically constructed of two or more panels joined together by crossbeam braces which can separate due to age and material instability caused by fluctuations in relative humidity ...
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
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Shoji paper sliding doors in the Rinshunkaku at Sankei-en (Important Cultural Property) Shoji doors next to the tokonoma alcove, Rinshunkaku A tatami room surrounded by paper shoji (paper outside, lattice inside). The shoji are surrounded by an engawa (porch/corridor); the engawa is surrounded by garasu-do, all-glass sliding panels.
This process made it easy to then go over the oil and make it resemble wood or different types of leather. On the ceilings that were 8–14 feet the color was tinted three shades lighter than the color that was on the walls and usually had a high quality of ornamentation because decorated ceilings were favored.
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