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Grand Duo, Op. 148 (1856) Duo, Op. 150 (1856) Duo, Op. 153 (1856) Anton Stamitz: 6 Violin Duos, Op.8; 6 Violin Duos, Op.9; Carl Stamitz: 6 Duos for 2 flutes or violins, Op.27; Toru Takemitsu: Rocking Mirror Daybreak (1983) Georg Philipp Telemann: 6 Sonates sans Basse for two traversos, violins or recorders, TWV 40:101-106 (1728-29)
44 Duos for Two Violins (sometimes also entitled 44 Duets), Sz. 98, BB 104 is a series of duets composed in 1931 by Hungarian composer Béla Bartók. Composition [ edit ]
Violin Concerto No. 9 in C major, Op. 17 [14] String Quartet No. 4 in G major, Op. 18 [15] Violin Concerto No. 10 in B minor, Op. 19 [16] [8] 24 Caprices for Violin, Op. 22; Violin Concerto No. 11 in D major, Op. 23 [17] Air varié in D major, Op. 26 [18] Violin Concerto No. 12 in E major, Op. 27 [19] Violin Concerto No. 13 in F-sharp minor / A ...
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
The Violin Sonata No. 4 (also known as the Duo or Grand Duo) in A major, Op. posth. 162, D 574, for violin and piano by Franz Schubert was composed in 1817.This sonata, composed one year after his first three violin sonatas, was a much more individual work, showing neither the influence of Mozart, as in these previous works, nor of Rossini, as in the contemporaneous 6th Symphony.
The performance at the Triton concert was the "Western premiere". The performers on that occasion were Robert Soetens - for whom Prokofiev would compose his second violin concerto in 1935 - and Samuel Dushkin, for whom Stravinsky composed his violin concerto a few months earlier. [1] The work was published in 1932 in Berlin by Éditions Russes ...
Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands , or piano and a string instrument ( violin , arpeggione ).
The genre originated as instrumental adaptation of the three-part texture common in Italian vocal music in the late 16th century. The earliest published trio sonatas appeared in Venice (Salamone Rossi Il primo libro delle sinfonie e gagliarde, 1607) and in Milan (Giovanni Paolo Cima, Sonata a tre for violin, cornett and continuo in the collection Concerti ecclesiastici, 1610).