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Prehistoric Women is a British fantasy adventure film directed by Michael Carreras, starring Martine Beswick and Michael Latimer. [2] It was first released in the US in 1967, and released in the UK 18 months later under the title Slave Girls, where it was trimmed by 17 minutes and played as the supporting feature to The Devil Rides Out (1968).
She then appeared in various Hammer Studio low-budget films, most notably Prehistoric Women (1967) (aka Slave Girls of the White Rhinoceros) and the gender-bending horror Dr. Jekyll and Sister Hyde (1971), in which she played the titular villainess.
Prehistoric Women may refer to: Prehistoric Women (1950 film) , a low-budget fantasy adventure film Prehistoric Women (1967 film) , a British fantasy adventure film
Prehistoric Women (1950 film) Prehistoric Women (1967 film) T. Three Ages; W. When Men Carried Clubs and Women Played Ding-Dong; When Women Lost Their Tails;
Voyage to the Planet of Prehistoric Women is a 1968 American science fiction film, one of two films whose footage was taken from the 1962 Soviet SF film Planeta Bur (Planet of Storms) for producer Roger Corman. The original film was scripted by Alexander Kazantsev from his novel and directed by Pavel Klushantsev.
Prehistoric Women (1967 film) S. Samson and His Mighty Challenge; She (1965 film) The Snow Queen (1967 film) Swarna Manjari; The Sword in the Stone (1963 film) T.
Women of the Prehistoric Planet: Arthur C. Pierce: Wendell Corey, Keith Larsen, John Agar: United States: Action Adventure Romance 1967: Title Director Cast Country Subgenre/Notes The Ambushers: Henry Levin: Dean Martin, Senta Berger: United States: Comedy, Spy The Andromeda Nebula: Yevgeny Sherstobitov: Via Artmane, Sergei Stolyarov, Nikolai ...
The film is the fourth and last of Hammer's "Cave Girl" sequence of films, directed by Don Chaffey and assistant director Simon Petersen, preceded by One Million Years B.C. (1966) (also directed by Don Chaffey), Prehistoric Women (1967) and When Dinosaurs Ruled the Earth (1970). Like the other films, it trades heavily on the audience appeal of ...