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Black Gold (1957) – about the horse Black Gold; Muley-Ears, Nobody's Dog (1959) All About Horses, with drawings by Wesley Dennis and photos (1962) Five O'Clock Charlie (1962) Stormy, Misty's Foal (1963) Portfolio of Horse Paintings, with commentary by Henry (1964) – "Published in 1952 under title: Portfolio of horses." LCCN 64-22279
The equine image was common in ancient Egyptian and Grecian art, more refined images displaying greater knowledge of equine anatomy appeared in Classical Greece and later Roman work. [3] Horse-drawn chariots were commonly depicted in ancient works, for example on the Standard of Ur circa 2500BC.
Her wild tresses appear to mimic a horse's mane and the hyena's fur color. Above her head is a floating white rocking horse. The white of her breeches mirrors the white color of both the rocking horse and the horse seen in the distance, and her green jacket reflects the forest exterior. She gazes out to the viewer directly and sternly.
A similar watercolour version was sold by Knoedler in 1982. Painter Molly Luce claimed that The Horse Fair was the first work which influenced her in her decision to become an artist, [11] and the work also inspired a young Wayne Thiebaud. [12] [13] In the literary world, The Horse Fair inspired a 2000 anthology by poet Robin Becker. [14] [15]
Blue Horse I is an oil painting by Franz Marc completed in 1911. It is one of the painter's most famous works and is part of the collection of the Städtische Galerie im Lenbachhaus in Munich . The painting was part of several exhibitions that Franz Marc and fellow Russian painter Wassily Kandinsky presented to the public under the name Der ...
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One Hundred Horses (Chinese: 百駿圖) is a Qing dynasty silk and ink painting by Giuseppe Castiglione. It was painted in 1728 for the Yongzheng emperor. The painting depicts a hundred horses in a variety of poses and activities, combining Western realism with traditional Chinese composition and brushwork. [ 1 ]
Karyn Hascal, The Healing Place’s president and CEO, said she would never allow Suboxone in her treatment program because her 12-step curriculum is “a drug-free model. There’s kind of a conflict between drug-free and Suboxone.” For policymakers, denying addicts the best scientifically proven treatment carries no political cost.