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Motif description is the term that has been used for a form of dance notation; however, the current preferred terminology is Motif Notation. It is a subset and reconception of Labanotation sharing a common lexis. The main difference between the two forms is the type of information they record.
Labanotation (grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement (notation system), invented by Austro-Hungarian choreographer and dancer Rudolf von Laban (1879-1958, a central figure in European modern dance), who developed his notation on movements in the 1920s.
In physics, the motion of bodies is described through two related sets of laws of mechanics. Classical mechanics for super atomic (larger than an atom) objects (such as cars , projectiles , planets , cells , and humans ) and quantum mechanics for atomic and sub-atomic objects (such as helium , protons , and electrons ).
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban , which was developed and extended by Lisa Ullmann , Irmgard Bartenieff , Warren Lamb and others.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
Benesh Movement Notation was created by Joan Benesh and her husband Rudolph Benesh. [1] In 1955, Rudolf Benesh publicly introduced Benesh notation as an "aesthetic and scientific study of all forms of human movement by movement notation". In 1997, the Benesh Institute (an organisation focused on Benesh notation) merged with the Royal Academy of ...
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
The conceptual differences between physics theories discussed in the 19th century and those that were most historically prominent in the first decades of the 20th century lead to a characterization of the earlier sciences as "classical physics" while the work based on quantum and relativity theories became known as "modern physics".