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Dionysus in Greek mythology is a god of foreign origin, and while Mount Nysa is a mythological location, it is invariably set far away to the east or to the south. The Homeric Hymn 1 to Dionysus places it "far from Phoenicia, near to the Egyptian stream". [245]
In addition, Dionysus is known as Lyaeus ("he who unties") as a god of relaxation and freedom from worry and as Oeneus, he is the god of the wine press. In the Greek pantheon, Dionysus (along with Zeus) absorbs the role of Sabazios, a Phrygian deity. In the Roman pantheon, Sabazius became an alternate name for Bacchus. [14]
Etymologically it is a nominalized adjective formed with a -ios suffix from the stem Dionys- of the name of the Greek god, Dionysus, [1] parallel to Apollon-ios from Apollon, with meanings of Dionysos' and Apollo's, etc. The exact beliefs attendant on the original assignment of such names remain unknown.
The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
Dionysus and members of his thiasos on an Attic black-figure krater-psykter (525–500 BCE, Louvre Museum) In Greek mythology [1] and religion, the thiasus (Greek: θίασος, romanized: thíasos) was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the ...
Dionysus has been coined the "masked god," "wine god," and "god of theater" due to his androgynous appearance [5] and ability to hide his true self under facades and enthusiasm. Many Greek stories believe Dionysus to be the son of Zeus, [1] separated and placed in the care of Nysa nymphs in an attempt to protect him from Hera's anger towards ...
In Greek mythology, Comus (/ ˈ k oʊ m ə s /; [1] Ancient Greek: Κῶμος, Kōmos) is the god of festivity, revels and nocturnal dalliances. Cup-bearer of the god Dionysus, he was represented as a winged youth or a child-like satyr. [2] His mythology occurs only in later antiquity. During his festivals in Ancient Greece, men and women ...
In the controversial book The Jesus Mysteries, Osiris-Dionysus is claimed to be the basis of Jesus as a syncretic dying-and-rising god, with early Christianity beginning as a Greco-Roman mystery. [4] The book and its "Jesus Mysteries thesis" have not been accepted by mainstream scholarship, with Bart Ehrman stating that the work is unscholarly.