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The Scapegoat (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus.On the Day of Atonement, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
The painting is directly tied to Luke, chapter 5, of the Bible which is clear from the inscription the artist added. The painting shows a banquet taking place in which Christ is the focal point at the center of the image. [3] However, the painting led to an investigation by the Tribunal of the Venetian Holy Inquisition. [4]
Leviticus 24:2 specifies that pure olive oil must be used to light the menorah. While Exodus 25:37 and Numbers 8:2–3 speak of seven lights being lit, Exodus 27:20–21 and Leviticus 24:2 specifies that a single "light" must be lit "continually", and must burn "from evening to morning".
The Book of Leviticus (/ l ɪ ˈ v ɪ t ɪ k ə s /, from Ancient Greek: Λευιτικόν, Leuïtikón; Biblical Hebrew: וַיִּקְרָא , Wayyīqrāʾ, 'And He called'; Latin: Liber Leviticus) is the third book of the Torah (the Pentateuch) and of the Old Testament, also known as the Third Book of Moses. [1]
Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
Early Christian art contains a number of narrative scenes collected on sarcophagi and in paintings in the Catacombs of Rome. Miracles are very often shown, but the Crucifixion is absent until the 5th century, when it originated in Palestine , soon followed by the Nativity in much the form still seen in Orthodox icons today.
Standing on a staircase, Jesus appears in the center of the painting, leaning towards Peter, who kneels to receive the keys. On the ground, lie the iconographic symbols of an open book and a sword, while in the sky, some angels, seraphs and cherubs, appear among the clouds to witness and to celebrate the event.
Job Mocked by his Wife is an oil-on-canvas painting by the French artist Georges de La Tour, produced at an unknown date between 1620 and 1650.It depicts a scene from the Old Testament in which Job, a once rich and influential man who in a short space of time lost his children, his possessions and his health but not his piety, is being chided by his wife for maintaining his faith and urged to ...