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In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...
The Roman poet Ennius (ca. 239–169 BC), the leading figure in the Hellenization of Latin literature, considered Pluto a Greek god to be explained in terms of the Roman equivalents Dis Pater and Orcus. [15] It is unclear whether Pluto had a literary presence in Rome before Ennius.
The English word hell does not appear in the Greek New Testament; instead one of three words is used: the Greek words Tartarus or Hades, or the Hebrew word Gehinnom. In the Septuagint and New Testament, the authors used the Greek term Hades for the Hebrew Sheol, but often with Jewish rather than Greek concepts in mind.
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. [1] Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity ...
For later Greek poets the very ancient pre-Homeric association of the asphodel flower with a positive form of afterlife as well as the enlarged role of Elysium as it became the destination of more than just a few lucky heroes, altered the character of the meadows. Greek poets who wrote after Homer's time describe them as untouched, lovely, soft ...
Byzantine literature combined Greek and Christian civilization on the common foundation of the Roman political system. This type of literature was set in the intellectual and ethnographic atmosphere of the Near East. Byzantine literature possesses four primary cultural elements: Greek, Christian, Roman, and Oriental.
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...