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They went from being a mostly rural population to one that was mostly urban. "The migration of African Americans from the rural south to the urban north became a mass movement." [16] The Great Migration radically transformed Chicago, both politically and culturally. [17] From 1910 to 1940, most African Americans who migrated north were from ...
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
Eleanor Roosevelt at the dedication of South Side Community Art Center (May 7, 1941). Efforts to open a community art center on Chicago's South Side began in 1938. Peter Pollack, a Federal Art Project official, contacted Metz Lochard, an editor at the Chicago Defender, about having the Art Project sponsor exhibitions of African American artists, who often had trouble securing space to display ...
The American Negro Exposition, also known as the Black World's Fair and the Diamond Jubilee Exposition, was a world's fair held in Chicago from July until September in 1940, to celebrate the 75th anniversary (also known as a diamond jubilee) of the end of slavery in the United States at the conclusion of the Civil War in 1865.
Pages in category "African-American history in Chicago" The following 85 pages are in this category, out of 85 total. This list may not reflect recent changes .
The Great Depression was the worst economic crisis in US history. More than 15 million Americans were left jobless and unemployment reached 25%.
Cavalcade of the American Negro advertisement poster. Cavalcade of the American Negro is a grouping of related artworks collaboratively created by employees of the WPA-funded Illinois Writers' Project and the Federal Art Project for the 1940 American Negro Exposition, a world's fair-style event celebrating the 75th anniversary of the Emancipation of enslaved people in the United States.
A shared heritage: art by four African Americans by William E. Taylor and Harriet G. Warkel with essays by Margaret T. G. Burroughs and others (1996) The Beginner's Guide to Collecting Fine Art, African American Style Ana M. Allen and Margaret Taylor Burroughs (1998) The tallest tree in the forest (1998) Humanist and glad to be (2003)