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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
Articles relating to allegory, a narrative in which a character, place, or event is used to deliver a broader message about real-world issues and occurrences. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
Films based on the allegory of the cave by Plato. In the allegory, Plato describes people who have spent their lives chained in a cave and facing a blank wall. They watch shadows projected onto the wall by objects passing in front of a fire behind them, and they give names to these shadows. The shadows are the prisoners' reality but not ...
This subject is later vividly illustrated in the Allegory of the Cave (514a–520a), where prisoners bound in a dark cave since childhood are examples of these souls turned away from illumination. Socrates continues by explaining that though light and sight both resemble the Sun neither can identify themselves with the Sun.
Porphyry leaves open whether the cave actually existed or was an invention by Homer, but in either case stresses its significance as an allegory. He associates the cave motif with Plato's allegory of the cave and the Mithraeum (the cave sacred to adherents of the Roman mystery religion centered on the god Mithras) and regards it as a symbol for ...
Myth of the Cave is a suite in five movements for clarinet/bass clarinet, double bass and piano, composed by Yitzhak Yedid in Jerusalem, Israel, 2002, and premiered in Frankfurt, Germany, October 2002. The fundamental idea of the composition was inspired by Plato's philosophic metaphor The Allegory of the Cave:
In philosophy, Plato's epistemology is a theory of knowledge developed by the Greek philosopher Plato and his followers.. Platonic epistemology holds that knowledge of Platonic Ideas is innate, so that learning is the development of ideas buried deep in the soul, often under the midwife-like guidance of an interrogator.