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"Love Is Strong" is a song by English rock band the Rolling Stones, released as the opening track, and first single, from their 20th British and 22nd American studio album, Voodoo Lounge (1994). Issued as a single on 4 July 1994 by Virgin Records , the song preceded the release of Voodoo Lounge by a week.
From the first few chords we could tell this was going to be emotional. We swear the Labrador Retriever could tell too. His owner, Lauren, was playing "What a Wonderful World" by Louis Armstrong.
The striking sound of the augmented triad lends itself to effective word painting, especially when conveying strong emotion. The first song in Robert Schumann’s song cycle Frauen-Liebe und Leben uses the chord (F ♯-B ♭-D) on the second syllable of the word “empor” to convey the intensity of the singer’s feeling for her beloved:.
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C
"I Love a Piano" is a popular song with words and music by Irving Berlin. It was copyrighted on December 9, 1920 and introduced in the Broadway musical revue Stop! Look!
"Emotion" is a song written by Barry and Robin Gibb. It was first recorded by Australian singer Samantha Sang , whose version reached number three on the Billboard Hot 100 chart in 1978. The Bee Gees recorded their own version of the song in 1994 as part of an album called Love Songs , which was never released, but it was eventually included on ...
The song was co-written by Jeannie Seely and Randy Newman. Seely was a 23-year-old secretary at Liberty Records and conceived of the song while reading a pantyhose advert that said, "Anyone who knows what comfort is..." She stayed after work to use the label's piano, but struggled to play the chords and first verse as it sounded in her head.
Not that the songs themselves don’t bring up strong emotions. In response to a submitted audience question about which compositions took her to that level, the singer said, “I remember bawling ...
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