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Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado.It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano (also known as montunos).
The Mambo Kings is the soundtrack to the 1992 film of the same name, based on Oscar Hijuelos's Pulitzer Prize-winning novel The Mambo Kings Play Songs of Love.Artists featured on the album include Tito Puente, Celia Cruz, Benny Moré, Arturo Sandoval, Linda Ronstadt and Los Lobos.
"Mambo No. 5" is an instrumental mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949 and released the next year. [1] German singer Lou Bega sampled the original for a new song released under the same name on his 1999 debut album, A Little Bit of Mambo .
Pages in category "Mambo" The following 11 pages are in this category, out of 11 total. ... Mambo (1938 song) Mambo No. 5; Mambo section; O. Orkes Gumarang; T ...
The song is based on a Cuban Mambo song, and “tequila,” the only word in the song, is repeated three times. The song won a Grammy in 1958 for best R&B performance, and in 2001, the song was ...
The song "Beautiful Maria of My Soul" was written for the film, with lyrics by Glimcher and music composed by Kraft. [4] The original soundtrack album was released in 1991 by Elektra Records. It features a number of original master recordings, re-recorded tracks and mambo-themed songs performed by Sandoval, Tito Puente and Celia Cruz. [4]
Mambo is a Latin dance of Cuba which was developed in the 1940s when the music genre of the same name became popular throughout Latin America. The original ballroom dance which emerged in Cuba and Mexico was related to the danzón , albeit faster and less rigid.
Dámaso Pérez Prado (December 11, 1916 – September 14, 1989) [nb 1] was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s. [2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as "Mambo No. 5", earning him the nickname "The King of the Mambo".
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