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Incipit for "La campanella" by Franz Liszt (Grandes études de Paganini S. 141 no. 3) The étude is played at a gentle, brisk allegretto tempo and features constant octave hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be ...
The outcome is a very transparent texture, with the rondo theme having hints of musical qualities associated with Romani music. This movement has served as the basis of compositions by other composers, such as the Étude S. 140 No. 3 "La campanella" by Liszt, and Strauss I's Walzer à la Paganini Op. 11.
First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [4] Jean Schneitzhoeffer was so inspired by Paganini's performance that he based the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe. [5] 1815 c. 20: 3 String Quartets ...
Étude No. 3 in G ♯ minor "La Campanella", marked Allegretto, which is after the final movement of Paganini's Violin Concerto No. 2 in B minor. Étude No. 4 in E major "Arpeggio", marked Andante quasi allegretto, which is after Caprice No. 1 in E major. It was written on one line only, omitting the usual separate line for the left hand, this ...
Mario Castelnuovo-Tedesco – Capriccio Diabolico for classical guitar is a homage to Paganini, and quotes "La campanella" Frédéric Chopin – Souvenir de Paganini for solo piano (1829; published posthumously) Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967)
Cover of the Edition Peters sheet music of "Lux aeterna" by György Ligeti. This is a list of online digital musical document libraries.Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources).
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