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The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [10] [2] [11] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium CE. [12]
The Ribhu Gita (Sanskrit: ऋभुगीता; ṛbhugītā) is an acclaimed song at the heart of this purana whose content has been described as advaita, monist or nondual. The Ribhu Gita forms the sixth part of Shivarahasya Purana.
Download as PDF; Printable version; ... and its first complete version existed in the 11th century. ... SDB 12.10.03:04 original Sanskrit:
The chapter 1.17 of the Linga Purana introduces Linga as Pradhana or Prakriti (cosmic substance), while Shiva is described as Lingin, or one with this "subtle body". [12] Lingam is presented by the text as an abstract concept, the formless reality , contrasted with Alinga (Vyakta), along with its phallic significance with the sexual truth in ...
These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the main images of the sanctum or sculptures and reliefs in the outer walls of Shiva temples.
The Lingashtaka also references other legends of Shiva, such as the quelling of the pride of Ravana when the latter attempted to lift Mount Kailash, and the destruction of Daksha's yajna. The phalashruti (meritorious verse) of the hymn states that when the Lingashtaka is recited near a lingam, the reciter would attain the abode of Shiva and ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
The Śiva·sūtras, technically akṣara·samāmnāya, variously called māheśvarāṇi sūtrāṇi, pratyāhāra·sūtrāṇi, varṇa·samāmnāya, etc., refer to a set of fourteen aphorisms devised as an arrangement of the sounds of Sanskrit for the purposes of grammatical exposition as carried out by the grammarian Pāṇini in the Aṣṭādhyāyī.