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Gandalf explains that he killed the Balrog. He was also killed in the fight, but was sent back to Middle-earth to complete his mission. He is clothed in white and is now Gandalf the White, for he has taken Saruman's place as the chief of the wizards. Gandalf assures his friends that Merry and Pippin are safe.
See, and I would have put money on the fact that the "YOU SHALL NOT PASS" scene of Gandalf vs. the Balrog would have been the most famous, well known, and cited passage from the trilogy. --Jayron 32 17:42, 24 October 2012 (UTC) Whereupon the Balrog, truly pissed at having to repeat a grade, decided to get even.
At the Bridge of Khazad-dûm, they encounter "Durin's Bane," a fearsome Balrog from ancient times. Gandalf faces the Balrog to enable the others to escape. After a brief exchange of blows, Gandalf breaks the bridge beneath the Balrog with his staff. As the Balrog falls, it wraps its whip around Gandalf's legs, dragging him over the edge.
[5] The deaths of major characters, including Boromir, Denethor, Gollum, Saruman, Sauron, Théoden, and Wormtongue all form "significant scenes", while Gandalf both dies and returns from the dead. [5] Mortality is confronted in the first chapter of The Lord of the Rings, as Bilbo Baggins states that he feels he needs "a holiday, a very long ...
This is due both to Tolkien's changing conception of Balrogs, and to the imprecise but suggestive and possibly figurative description of the Balrog that confronted Gandalf. [T 14] The Balrog of Moria used a flaming sword ("From out of the shadow a red sword leapt flaming") and a many-thonged whip that "whined and cracked" in its battle with ...
Wizards like Gandalf were immortal Maiar, but took the form of Men.. The Wizards or Istari in J. R. R. Tolkien's fiction were powerful angelic beings, Maiar, who took the physical form and some of the limitations of Men to intervene in the affairs of Middle-earth in the Third Age, after catastrophically violent direct interventions by the Valar, and indeed by the one god Eru Ilúvatar, in the ...
Commentators have compared Peter Jackson's 2001–2003 The Lord of the Rings film trilogy with the book on which it was based, J. R. R. Tolkien's 1954–1955 The Lord of the Rings, remarking that while both have been extremely successful commercially, the film version does not necessarily capture the intended meaning of the book.
Both Bilbo and later Frodo Baggins leave Bag End, their comfortable home, setting off into the unknown on their journeys, and returning changed.. Scholars, including psychoanalysts, have commented that J. R. R. Tolkien's Middle-earth stories about both Bilbo Baggins, protagonist of The Hobbit, and Frodo Baggins, protagonist of The Lord of the Rings, constitute psychological journeys.