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The 2013 ServiceMaster 200 was the 32nd stock car race of the 2013 NASCAR Nationwide Series and the 15th iteration of the event. The race was held on Saturday, November 9, 2013, in Avondale, Arizona at Phoenix International Raceway , a 1-mile (1.6 km) permanent low-banked tri-oval race track.
Just for Lovers is the second studio album by Sammy Davis Jr., released in 1955. An album of romantic ballads, Just for Lovers eschews the comedic impressions of featured on Davis' previous album but ends with Danny Kaye 's upbeat song "Happy Ending".
Several tools with combined sampling and call-graph profiling. A set of visualization tools, VCG tools, uses the Call Graph Drawing Interface (CGDI) to interface with gprof. Another visualization tool that interfaces with gprof is KProf. Free/open source - BSD version is part of 4.2BSD and GNU version is part of GNU Binutils (by GNU Project) HWPMC
It peaked at No. 14, staying on the chart for 22 weeks, the last of which was the week Davis' 1963 live album Sammy Davis Jr. at the Cocoanut Grove entered the Top LPs chart. [ 4 ] Lindsay Planer on AllMusic praised the album for "accentuating [Davis'] undeniable talent and presence," and noted that it was one of the most well-received albums ...
"I've Gotta Be Me" (Walter Marks) – 2:58 "My Personal Property" (Cy Coleman and Dorothy Fields) – 2:26"I'm Glad There Is You" (Jimmy Dorsey and Paul Mertz) – 2:30 "Here I'll Stay" (Alan Jay Lerner, Kurt Weill) – 3:10
Tools. Tools. move to sidebar hide. Actions Read; Edit; View history; General ... Sammy Davis Jr. Belts the Best of Broadway is a 1962 studio album by Sammy Davis Jr
Lindsay Planer of AllMusic commented that Davis had been recorded "like never before", both as a dynamic vocalist and as an actor of equally impressive proficiency. Planer described the All-Star Spectacular as a unique album, capitalising on Davis' sizable talents as a "seminal master of melody and allowing for a peek into his infectious sense of humor".
Closest of Friends is a 1982 album recorded by Sammy Davis Jr. It is his 50th and last original album, [1] released 28 years after his first. Davis recorded the album in July 1981 at the Sound Emporium in Nashville, Tennessee. It was produced by Larry Butler, and was Davis' first digitally recorded album. [1]
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