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  2. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    Lossless audio compression Patented DRM; Encoder Player AAC: ISO/IEC MPEG Audio Committee: 1997 ISO/IEC 14496-3 Non-free [1] Nero Digital Audio, Apple CoreAudio (via QuickTime, iTunes or afconvert [2]) FAAC (encoding only), FAAD2 (decoding only), FFmpeg, Audiocogs [3] (decoding only), Fraunhofer FDK AAC: Digital TV service, Digital Radio ...

  3. EBU R 128 - Wikipedia

    en.wikipedia.org/wiki/EBU_R_128

    EBU R 128 is a recommendation for loudness normalisation and maximum level of audio signals. It is primarily followed during audio mixing of television and radio programmes and adopted by broadcasters to measure and control programme loudness. [1]

  4. List of open-source codecs - Wikipedia

    en.wikipedia.org/wiki/List_of_open-source_codecs

    FAAD2 – open-source decoder for Advanced Audio Coding. There is also FAAC, the same project's encoder, but it is proprietary (but still free of charge). libgsm – Lossy compression ; opencore-amr – Lossy compression (AMR and AMR-WB) liba52 – a free ATSC A/52 stream decoder (AC-3) libdca – a free DTS Coherent Acoustics decoder

  5. Audio coding format - Wikipedia

    en.wikipedia.org/wiki/Audio_coding_format

    A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.

  6. FLAC - Wikipedia

    en.wikipedia.org/wiki/FLAC

    FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.

  7. Dolby AC-4 - Wikipedia

    en.wikipedia.org/wiki/Dolby_AC-4

    When Dolby AC-4 was tested by the DVB the Multiple Stimuli with Hidden Reference and Anchor test (MUSHRA) score was 90 at 192 kbit/s for 5.1 channel audio. [1] When tested for ATSC 3.0 the bit rates needed for the required audio score was 96 kbit/s for stereo audio, 192 kbit/s for 5.1 channel audio, and 288 kbit/s for 7.1.4 channel audio. [1]

  8. Dynamic range compression - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range_compression

    A dedicated electronic hardware unit or audio software that applies compression is called a compressor. In the 2000s, compressors became available as software plugins that run in digital audio workstation software. In recorded and live music, compression parameters may be adjusted to change the way they affect sounds.

  9. High-Efficiency Advanced Audio Coding - Wikipedia

    en.wikipedia.org/wiki/High-Efficiency_Advanced...

    High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low- bitrate applications such as streaming audio .