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It is sort of a holiday album, though some of the songs have nothing to do with Christmas or the winter season. Season's Greetings features an English version of his signature song "Christmas Eve". The remake version, that has lyrics written by Alan O'Day, was included on several reissues of the CD single of the song in later years. [1]
Tatsuro's music has been regarded as a symbol of Japanese outdoor music, as represented by Ride on Time and For You in the early 1980s. [ 25 ] [ 26 ] [ 27 ] In 2011, Yamashita's newly-released album Ray of Hope topped the weekly Oricon Albums Chart , making him the fourth singer to have topped the chart at least once per decade for four decades ...
Because of the massive success "Christmas Eve" gained, the album also enjoyed long-term commercial success. Melodies is Yamashita's best selling studio album, retailing over 992,000 copies during its two first chart runs. In 2013 the 30th anniversary reissue sold 28,000 more copies, pushing the album total to 1 million and 20,000 copies.
Otis Redding, "Merry Christmas Baby" ... 110. Justin Bieber Feat. Busta Rhymes, "Little Drummer Boy" ... Sugar cookies, Christmas lights, and Uncle Steve with an Amazon gift card.
"Christmas Eve (English version)", 1991 (co-written and recorded by Tatsuro Yamashita) (Other recordings by All 4 One, Beni, Commodores, Charlie Green, Eric Martin, Idina Menzel, Modern Folk Quartet & Pentatonix) "Get Back in Love", 1992 co-written by Tatsuro Yamashita. (recorded by 14 Karat Soul)
Under the Mistletoe is the first Christmas album and second studio album by Canadian singer Justin Bieber, released on November 1, 2011, by RBMG/Island Def Jam Music Group. The album features fifteen tracks, including seven original songs co-written by Bieber, along with cover versions of Christmas carols and standards.
Return of the Biebs! Justin Bieber hit the 2021 MTV Video Music Awards stage with an explosive rendition of two of his hit songs. The 27-year-old musician descended upon the crowd at Barclays ...
Treasures debuted at the number-one on the Japanese Oricon chart and remained there for 16 weeks, with estimated sales of over 1.1 million copies. In December 1995, the album was certified Triple Platinum by the Recording Industry Association of Japan, for shipments of over 1.2 million units. [1]