Search results
Results from the WOW.Com Content Network
[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Boalch-Mould Online A searchable database of 2000+ harpsichord and clavichord makers, 2500 instruments, and 4300 instrument photos. The first edition of Donald Boalch's catalog of harpsichord makers is accessible online at www.hathitrust.org.
Pleyel et Cie. ("Pleyel and Company") is a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. [2] In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin , [ 3 ] who considered Pleyel pianos to be "non plus ultra". [ 4 ]
At the University of Chicago, Williamson met Philip Manuel (1893–1959) and the two developed an interest in harpsichord as a concert instrument. At this time in the 1920s, there were fewer than 50 harpsichords in the United States, most located in museums. [ 1 ]
Rocky Mount Instruments (RMI) was a subsidiary of the Allen Organ Company, based in Rocky Mount, North Carolina, active from 1966 to 1982.The company was formed to produce portable musical instruments, and manufactured several electronic pianos, harpsichords, and organs that used oscillators to create sound, instead of mechanical components like an electric piano.
John Challis (1907–1974) was an American builder of harpsichords and clavichords, at one time the only such maker of harpsichords in the United States. His father Charles was a jeweler and watchmaker who moved his family from South Lyon, Michigan to Ypsilanti, Michigan in 1919.
The Gräbner family were German harpsichord-, clavichord-, organ- and eventually piano makers from the 17th century to the beginning of the 19th century. [1] They are best known for their harpsichords, which represent a mid-german style of building, distinct from the better known northern style as represented by Hass, Mietke and Zell.