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Tibet in Song is a 2009 documentary film written, produced, and directed by Ngawang Choephel. The film celebrates traditional Tibetan folk music while depicting the past fifty years of Chinese rule in Tibet , including Ngawang's experience as a political prisoner.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.
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A typical Tibetan Buddhist ritual orchestra consists of a gyaling, dungchen, kangling, dungkar (conch shells), drillbu (handbells), silnyen (vertical cymbals), and most importantly, chanting. Together, the music creates a state of mind to invite or summon deities.
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
Music of Tibet [1] is a historic recording, made by world religion scholar Huston Smith in 1967. [2] While traveling in India, Smith was staying at the Gyuto Monastery. While listening to the monks chanting, he realized that each monk was producing multiple overtones for each note, creating a chord from a single voice.
In 1996 she returned to singing and she was surprised to find at her first public performance in Holland that her audience appreciated her and her traditional Tibetan singing. She was given a standing ovation. With this confidence she became a collector of Tibetan music. In 2000 and in 2001 she sang for the Dalai Lama.