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Dialectic of Enlightenment (German: Dialektik der Aufklärung) is a work of philosophy and social criticism written by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno. [1] The text, published in 1947, is a revised version of what the authors originally had circulated among friends and colleagues in 1944 under the title of ...
The term culture industry (German: Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", [1] of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing ...
The term "cultural industry" first appeared in Dialectic of Enlightenment (1947), written by Adorno and Max Horkheimer. ... Dialectic of Enlightenment, ...
This became the foundation of critical theory. His most important works include Eclipse of Reason (1947), Between Philosophy and Social Science (1930–1938) and, in collaboration with Theodor Adorno, Dialectic of Enlightenment (1947). Through the Frankfurt School, Horkheimer planned, supported and made other significant works possible. [1]
Alan Watts, Behold the Spirit (1947) [3] Max Horkheimer and Theodor W. Adorno, Dialectic of Enlightenment (1947) [4] Max Horkheimer, The Eclipse of Reason (1947) P. D. Ouspensky, In Search of the Miraculous (1947) Rudolf Carnap, Meaning and Necessity (1947)
Dialectic of Enlightenment (with Max Horkheimer, 1944) Composing for the Films (1947) Philosophy of New Music (1949) The Authoritarian Personality (1950) Minima Moralia: Reflections from Damaged Life (1951) In Search of Wagner (1952) Prisms (1955) Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies (1956 ...
One of the distinguishing characteristics of critical theory, as Theodor W. Adorno and Max Horkheimer elaborated in their Dialectic of Enlightenment (1947), is an ambivalence about the ultimate source or foundation of social domination, an ambivalence that gave rise to the "pessimism" of the new critical theory about the possibility of human ...
The locus classicus of this view is Max Horkheimer and Theodor Adorno's Dialectic of Enlightenment (1947), which traces the degeneration of the general concept of enlightenment from ancient Greece (epitomized by the cunning "bourgeois" hero Odysseus) to 20th-century fascism.