Search results
Results from the WOW.Com Content Network
The Japanese Language Council meeting of 1992 confirmed the need for a unified character set that could be used in all computers and word processors. Released in February 2000, the JIS X 0213 -2000 character set was presented as a solution to the problems of the previous character set, as the Shift JIS encoding was expanded to re-include ...
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
While many other native Japanese words (for example, 汝 nanji archaic word for "you") with ん were once pronounced and/or written with む (mu), proper historical kana only uses む for ん in the case of the auxiliary verb, which is only used in classical Japanese, and has morphed into the volitional ~う (-u) form in modern Japanese.
The term became another word for the country or the location of Japan itself. The term can be used interchangeably with Toyoashihara no Nakatsukuni. A-un (阿吽, lit. ' Om ') – In Shinto-Buddhism, a-un is the transliteration in Japanese of the two syllables "a" and "hūṃ", written in Devanagari as अहूँ (the syllable, Om).
Because the majority of character-based words are composed of two (or more) kanji, many words were left with one character included in the tōyō kanji, and the other character missing. In this case, the recommendation was to write the included part in kanji and the excluded part in kana, e.g. ふ頭 for 埠頭 and 危ぐ for 危惧 .
A kakekotoba (掛詞) or pivot word is a rhetorical device used in the Japanese poetic form waka.This trope uses the phonetic reading of a grouping of kanji (Chinese characters) to suggest several interpretations: first on the literal level (e.g. 松, matsu, meaning "pine tree"), then on subsidiary homophonic levels (e.g. 待つ, matsu, meaning "to wait").
This is typically casual, with the most well-established example being sabo-ru (サボる, skip class; play hooky) (circa 1920), from sabotāju (サボタージュ, sabotage), with other common examples including memo-ru (メモる, write a memo), from memo (メモ), and misu-ru (ミスる, make a mistake) from misu (ミス, mistake).
き, in hiragana, キ in katakana, is one of the Japanese kana, which each represent one mora.Both represent [ki] and are derived from a simplification of the 幾 kanji.The hiragana character き, like さ, is drawn with the lower line either connected or disconnected.