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The stanza has also been known by terms such as batch, fit, and stave. [2] The term stanza has a similar meaning to strophe, though strophe sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. [3] Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used.
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
Envoi (or envoy): the brief stanza that ends French poetic forms such as the ballade or sestina. Ghazal; Octave: an 8-line stanza or poem. Ottava rima: an Italian stanza of eight 11-syllable lines, with a rhyme scheme of ABABABCC. Quatorzain; Quatrain: a 4-line poem or stanza; Quintain; Rhyme royal: a stanza of seven 10-syllable lines, with ...
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional , which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form , 32-bar form , verse–chorus form , ternary form , strophic form , and the 12-bar blues .
In a more general sense, the strophe is a pair of stanzas of alternating form on which the structure of a given poem is based, with the strophe usually being identical to the stanza in modern poetry and its arrangement and recurrence of rhymes giving it its character. But the Greeks called a combination of verse-periods a system, giving the ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
A verse is formally a single metrical line in a poetic composition. [1] However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas.
The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine. In the seventeenth century, John Milton experimented by extending the seventh line of the rhyme royal stanza itself into an alexandrine in "On the Death of a Fair Infant Dying of a Cough" and for ...