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The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The Spanish composer Enrique Granados wrote a suite for solo piano in 1911 based on Goya's paintings called Goyescas, and later wrote an opera of the same name based on the suite. Spanish author Fernando Arrabal's novel The Burial of the Sardine was inspired by Goya's painting. [78]
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
Goya's painting of the massacre, which shows terrified civilians facing a firing squad, was intended to arouse anger and hatred on the part of Spanish viewers. Goya's is a highly romantic picture of a deeply emotional episode. [57] Pablo Picasso's Massacre in Korea (1951) was painted as a protest against the United States intervention in Korea ...
Paintings by Francisco Goya by museum (2 C) P. Portraits by Francisco Goya (29 P) Pages in category "Paintings by Francisco Goya" The following 39 pages are in this ...
The Greasy Pole (1786-1787). The series of paintings for the alameda of the Dukes of Osuna comprises seven pictures painted by Francisco de Goya between 1786 and 1787. The country estate of the dukes and duchesses, who were the painter's mecenas and friends, was known as El Capricho, and was located on the outskirts of Madrid.
Later the name "Proverbs" came up, and Carderera referred to the series in 1863 as "Dreams," perhaps because of the dreamlike nature of many of the prints. However, in Goya's artist's proofs , many of the prints contain titles including "Disparates", by which the series is most commonly known today.