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Tree-ring dating of the wood suggests it was felled around 1482. Wood intended for use in panel painting was generally allowed to mature for around 10 years, giving an approximate dates of 1490–92 for the works. The panels are covered with canvas made of fine but loosely woven linen, and underpainted in white paint. Whether Dürer prepared ...
In his atelier large altar-pieces and other sacred paintings were executed, and also elaborate carved painted wood retables, consisting of crowded subjects in high relief, richly decorated with gold and colour. [1] Wolgemut was a leader among the artists reviving the standards of German woodcut at this time. The production of woodcuts was a ...
The Life and Art of Albrecht Dürer. Princeton, NJ: Princeton University Press, 1945. ISBN 0-691-00303-3; Price, David Hotchkiss. Albrecht Dürer's Renaissance: Humanism, Reformation and the Art of Faith. Michigan, 2003. ISBN 978-0-4721-1343-9. Strauss, Walter L. (ed.). The Complete Engravings, Etchings and Drypoints of Albrecht Durer.
Distemper on canvas mounted on paper: 40 × 30.3: Paris, Musée du Louvre (INV 18598, Recto) 148 Study for a Virgin Mary: c. 1520: Tempera on canvas: 25.5 × 21.5: Paris, Bibliothèque nationale de France (B-13 rés.) 77 Portrait of Bernhart von Reesen: 1521: Oil on panel (oak wood) 45.5 × 31.5: Dresden, Gemäldegalerie Alte Meister
The prints with uncertain authorship will be marked by a note below the title. The list below contains great majority of the prints which were included in one of the Dürer's catalogue raisonné indicated, even if the source was not certain of the authorship or considered it to be work of School of Dürer.
At first, after settling in Nuremberg, Dürer only produced prints, a far more guaranteed income stream than chasing commissions for paintings. Around 1497 he began to plan an ambitious and in many ways innovative plan to produce an illustrated edition of the Passion of Jesus , which he worked on in parallel with his Apocalypse .
Avarice [1] (German: Allegorie des Geizes) is a small (35 × 29 cm) oil-on-limewood painting of 1507 by Albrecht Dürer (1471–1528). [ 2 ] The work is found on the reverse of his Portrait of Young Man ; it has been speculated, though it is impossible to know, that they were intended to form part of a diptych .
The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria.It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste faciebat Ano Domini 1508 Albertus Dürer Aleman.