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Under the professional name Bear, he was the sound engineer for the Grateful Dead, recording many of the band's live performances. Stanley also developed the Grateful Dead's Wall of Sound, one of the largest mobile sound reinforcement systems ever constructed. Stanley also helped Robert Thomas design the band's trademark skull logo. [2]
The Grateful Dead was an American rock band formed in Palo Alto, California, in 1965. [1] [2] Known for their eclectic style that fused elements of rock, blues, jazz, folk, country, bluegrass, rock and roll, gospel, reggae, and world music with psychedelia, [3] [4] the band is famous for improvisation during their live performances, [5] [6] and for their devoted fan base, known as "Deadheads".
File:Grateful Dead - History of the Grateful Dead, Volume One (Bear's Choice).jpg File:Houston-Texas-11-18-1972-LP.jpg File:Grateful Dead - Hundred Year Hall.jpg
History of the Grateful Dead, Volume One (Bear's Choice) is a live album by the Grateful Dead.It is their fourth live album and their ninth album overall. Released in July 1973 on Warner Bros. Records, it offers concert highlights recorded February 13 and 14, 1970 at the Fillmore East in New York City.
Schematic drawing of the Grateful Dead's wall of sound. Stanley and Dan Healy and Mark Raizene of the Grateful Dead's sound crew, in collaboration with Ron Wickersham, Rick Turner, and John Curl of Alembic designed the sound reinforcement system in an effort to deliver high-quality sound to attendees of Grateful Dead concerts, which were drawing crowds of 100,000 or more at the time.
Grateful Dead have teamed up with eyewear brand Knockaround for a new collection of unisex sunglasses, which apply the band’s famous iconography to Knockaround’s bold, modern (and yes, durable ...
The legendary 1960s rock band still lives on in Dead & Company tours, a constant stream of Dancing Bears merch and now in a funky collaboration with Levi’s, just dropped Grateful Dead Levi’s ...
In the summer of 2005 the Dead began offering download versions of both their existing live releases, and a new Internet-only series, The Grateful Dead Download Series, that was available through their own online store (which offered the albums in both 256 kbit/s mp3 files and FLAC files – a preferred audio standard for those who archive Dead ...
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