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Walter Scott Murch (born July 12, 1943) is an American film editor, director, writer and sound designer.His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins (from nine nominations: six for picture editing and three for sound mixing).
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound ...
CodeHS was selected as one of three education technology companies to take part in the 2013 Innovation Challenge, part of the NBC Education Nation initiative. [6] Innovation Nation challenge participants CodeHS, Teachley, and GigaBryte participated in a series of challenges in October 2013, culminating in a live pitch contest broadcast live on NBC during the Education Nation Summit.
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
Lightworks is a freemium non-linear editing system (NLE) for editing and mastering digital video. It was an early developer of computer-based non-linear editing systems, and has been in development since 1998. The development of an open-source version was announced on April 11, 2010. [3] However, no source code of the program has been released ...
Al Nelson (supervising sound editor/sound designer); James Mather, Bjørn Ole Schroeder (supervising sound editors); Benjamin A. Burtt, Scott Guitteau, Jed Loughran, Rowan Watson, Qianbaihui Yang (sound effects editor); Luke Dunn Gielmuda (supervising Foley editor); Dmitri Makarov, David Mackie (Foley editors); Jana Vance, Ronni Brown, John ...
Matthew Wood (supervising sound editor), David Acord (supervising sound editor, sound designer), Frank Rinella (supervising Foley editor, Foley artist), Kimberly Patrick (Foley artist), Ryan J. Frias (sound effects editor), Tony Diaz (dialogue editor, ADR editor), Sean Kiner (supervising music editor)
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)