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The clarinet is widely used as a solo instrument. The clarinet evolved later than other orchestral woodwind instruments, leaving solo repertoire from the Classical period onward, but few works from the Baroque era. Many clarinet concertos and clarinet sonatas have been written to showcase the instrument, for example those by Mozart and Weber. [95]
Michael Lowenstern (born August 23, 1968) is an American musician, composer and educator, specializing in bass clarinet.He is well known for his YouTube channel Earspasm [1] and for his many recordings featuring the bass clarinet as a solo instrument in classical, jazz, and electronica formats.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Schmidt named the instrument the "Reform Boehm clarinet". In the second half of the 1940s, master clarinet maker Fritz Wurlitzer, based in Erlbach, [a] Vogtland / Saxony, built a clarinet with Schmidt's instructions. [1] They had collaborated earlier in producing the Schmidt-Kolbe clarinet, a variant of the German clarinet. [2]
The Silva-Bet, which debuted in 1925, is generally acknowledged to have been the first successful metal clarinet. [1] [2] Shortly after the appearance of the Silva-Bet, other woodwind makers entered the metal clarinet market, including Selmer Paris in 1927 [3] with their Master Model as well as American companies Buescher with their True Tone model and H. N. White with the Silver King.
In March 2006, the newly developed basset horn was awarded the Bavarian State Prize, after S & S already received a design award in 2004. [12] Instead of the usual metal bow between the mouthpiece and the upper joint, the instrument is equipped with a normal barrel and a bent connecting piece between the barrel and the upper joint each made of wood.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Wright became a member of the Houston Symphony after graduating and in the following year became principal clarinetist of the Dallas Symphony.He went on to become the principal clarinetist of the National Symphony in Washington D.C. and played there until joining the Boston Symphony Orchestra in the 1970–1971 season.