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Plays and musicals based on A Midsummer Night's Dream (7 P) Pages in category "Works based on A Midsummer Night's Dream " The following 9 pages are in this category, out of 9 total.
Francis Flute is a character in William Shakespeare's A Midsummer Night's Dream. [1] His occupation is a bellows-mender. He is forced to play the female role of Thisbe in "Pyramus and Thisbe", a play-within-the-play which is performed for Theseus' marriage celebration. [1]
Wiglaf kills the dragon halfway through the scene, Beowulf's death occurs "after two-thirds" of the scene, [32] and the dragon attacks Beowulf three times. [33] Ultimately, as Tolkien writes in Beowulf: The Monsters and the Critics (1936), the death by dragon "is the right end for Beowulf," for he claims, "a man can but die upon his death-day".
Wiglaf first appears in Beowulf at line 2602, as a member of the band of thanes who go with Beowulf to seek out the dragon that has attacked Geat-Land. This is the first time Wiglaf has gone to war at Beowulf's side. [B 3] He is called a "praise-worthy shield-warrior", a "prince of the Scylfings", and mæg ælfheres, "kinsman of Ælfhere." [B 4]
A Midsummer Night's Dream, Balanchine's first completely original full-length ballet, premiered at New York City Ballet on 17 January 1962, [1] [2] with Edward Villella in the role of Oberon, Melissa Hayden in the role of Titania, and Arthur Mitchell in the role of Puck. They were joined by Francisco Moncion in the role of Theseus- Duke of ...
Robin Starveling is a character in William Shakespeare's A Midsummer Night's Dream (1596), one of the Rude Mechanicals of Athens who plays the part of Moonshine in their performance of Pyramus and Thisbe. His part is often considered one of the more humorous in the play, as he uses a lantern in a failed attempt to portray Moonshine and is ...
The mechanicals are six characters in A Midsummer Night's Dream who perform the play-within-a-play Pyramus and Thisbe. They are a group of amateur and mostly incompetent actors from around Athens , looking to make names for themselves by having their production chosen among several acts as the courtly entertainment for the royal wedding party ...
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ.