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A Doc think black and white cat tuxedo voiced by Paul Frees Hickory and Dickory together. Dodsworth Looney Tunes: An obese, lethargic black-and-white cat with a large red nose (voiced by Edward Selzer and based on W.C. Fields) who tries to get a small white kitten to do his mousing for him. Doraemon: Doraemon
Blackie turns white and not with age, as they work things out. This cartoon has lots of action and laughs." [6] Boxoffice (Feb 5, 1949): "Very Good. Blackie, a jet black cat, befriends a white kitten being tormented by a bulldog. Every time the dog crosses Blackie's path, practically everything falls on him out of the sky, from bricks to pianos.
A black cat. [29] Garfield: Garfield: Jim Davis: Orange-and-black striped cat known for his enormous love for lasagna and sarcastic commentary. He is also very lazy and hates Mondays. [30] Gaston Lagaffe's cat Gaston: André Franquin: Nameless playful black-and-white cat of Gaston, who creates a lot of mayhem. [31] Gaturro Gaturro: Cristian Dzwonik
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"The Jazz Cats", cat puppets who played music with The Friendly Giant and his friends Bagpuss: Bagpuss: The large, saggy, pink and white striped, stuffed cat belonging to Emily and main character of the children's television show. Benjamin Cat Impractical Jokers: A large black cat with green eyes that resembles a mascot.
This cartoon is a color remake of a black and white short film titled Puss n' Booty (1943) which was directed by Frank Tashlin and written by Warren Foster (who would later be the main writer for most Tweety/Sylvester cartoons in the 1950s, such as Tweety's S.O.S., Snow Business and the Oscar-winning Birds Anonymous). In this previous version ...
This list of fictional big cats in animation is subsidiary to the list of fictional animals and is a collection of various notable feline characters that appear in various animated works of fiction. It is limited to well-referenced examples of large felines portrayed in animated television shows or feature-length films.
In every cartoon, he and Sam Sheepdog punch a timeclock and exchange pleasantries, go to work, stop what they are doing to take a lunch break, go back to work and pick up right where they left off, and clock out to go home for the day and exchange pleasantries again, all according to a factory-like blowing whistle.