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A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard
The music video for Peter Gabriel's song "Sledgehammer" is an example of a formally unorganized music video. Generally music videos can be said to contain visuals that either represent the potential connotative meaning of the lyrics or a semiotic system of its own. Although many analysts would explain a music video as a narrative structure ...
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
A music video is a video that integrates a song or an album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings.
Counterfactual thinking is a concept in psychology that involves the human tendency to create possible alternatives to life events that have already occurred; something that is contrary to what actually happened.
The music, credited to six men -- Brad Buxer, Bobby Brooks, Doug Grigsby III, Darryl Ross, Geoff Grace and Cirocco Jones -- was pretty cool, too. Sonic 3 became Ben's favorite game. As the 1990s wore on, Sega lost a crucial round of the console wars to a resurgent Nintendo and upstart Sony.
The real-life Suze Rotolo does, in fact, appear on the cover of The Freewheelin’ Bob Dylan, and the two did meet at a church folk concert. However, the real Suze left New York for six months ...
In music, parody has been used for many different purposes and in various musical contexts: as a serious compositional technique, as an unsophisticated re-use of well-known melody to present new words, and as an intentionally humorous, even mocking, reworking of existing musical material, sometimes for satirical effect.