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The canvas depicts yellow, white, pink and red roses in a narrow glass vase on a wooden table. A small stem with a white rose and two pink buds are extended on the left. The background is dark green and textured. Some flowers seem to have been cut prematurely, while others are collapsing. [2]
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Flowers in a vase on a stone ledge, Catharina Backer Flowers in a vase set in a stone niche , Jacoba Maria van Nickelen Possible followers of her technique were Francina Margaretha van Huysum and Cornelia van der Mijn , whose green coloring appears to have faded to blue in the same way as the paintings of Backer and Haverman.
Vase of Sunflowers: 1898 Oil on canvas: 46 × 38 cm St. Petersburg: Hermitage Museum: Landscape, the Pink Wall: Le Mur Rose: 1898 Oil on canvas: Private collection Fruit and Coffee-Pot: 1899 Oil on canvas: 38.5 × 46.5 cm St. Petersburg: Hermitage Museum: Study of a Nude: 1899 Oil on canvas: 65.5 × 60 cm Tokyo: Bridgestone Museum of Art
In Still Life: Vase with Pink Roses the audience can see Van Gogh's keen awareness of the interplay of color that he acquired over time, especially if one can imagine the original, deeper pink of the roses on the complementary green of the painting for dramatic and emotional effect. The choice of colors, and the manner in which they are painted ...
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Francis Lovell, 9th Baron Lovell, 6th Baron Holand, later 1st Viscount Lovell, KG (1456 – probably 1487) was an English nobleman who was an ally of King Richard III during the War of the Roses. Sir William Catesby , Sir Richard Ratcliffe and he were among Richard's closest supporters, famously called "the Cat, the Rat and Lovell our dog" in ...
Vase with Daisies and Anemones, 1887, Kröller-Müller Museum, Otterlo (F323) Vase with Daisies and Anemones (F323), also known as Flowers in a Blue Vase, was painted late in Van Gogh's stay in Paris. The vase holds a lively selection of daisies and anemones made with a range of colors.
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